Find album reviews, stream songs, credits and award information for BD Blues: Memphis Minnie - Memphis Minnie on AllMusic Their sessions in May and December of 1941 fused her more urban sound, (for example her vocal delivery on “Nothin’ In Ramblin”), with Son Joe’s back-up style, which combined big chords with an insistent beat to create a chunky swing feel. Songs of Minnie's such as 'When the Levee Breaks' and 'Can I Do It for You?' As Broonzy tells the story, in his autobiography Big Bill Blues, (Cassell and Co.London 1956) a jury of fellow musicians awarded Minnie the prize of a bottle of whiskey and a bottle of gin for her performance of “Chauffeur Blues” and “Looking the World Over”. He described the sound of her electric guitar as ” a musical version of electric welders plus a rolling mill”. She and Brown began playing together around 1915 in the resort town of Bedford Mississippi, where tourists could take a ferryboat trip around nearby Lake Cormorant. She recorded around 200 songs, some of the best known being "Bumble Bee", "Nothing in Rambling", and " Me and My Chauffeur Blues ". She got her first guitar at age ten or 11. Minnie, presided over Blue Monday parties at Ruby Lee Gatewood’s Tavern playing an electrified National arch top in front of a band that included bass and drums. Bill grabbed half the prize (the bottle of whiskey) and took it off to drink under a table. In the same session Son Joe sang “Black Rat Swing”, and sounded so much like Minnie he must have borrowed her chewing tobacco. She was always a finger picker, and played in Spanish (DGDGBD) and standard tunings, often using a capo. Langston Hughes quote courtesy Vintage Books USA.   The wretchedness of hitting the fields at dawn led some to try life with “the starvation box”, as Roosevelt Sykes called the guitar. Their guitar duets span the spectrum of African-American folk and popular music, including spirituals, comic dialogs, and old-time dance pieces, but Memphis Minnie's best work consisted of deep blues like "Moaning the Blues." Even though sales of their recordings slowed down by the end of the forties, their audience remained available to them in the clubs. Join Napster and access full-length songs on your phone, computer or home audio device. Record companies are remarkably mono-thematic about marketing, and Minnie, like many other blues musicians, played jazz and swing tunes as well, although there are only hints of this in her 200 recorded sides. Memphis Minnie, Black Bob, Bill Settles / Memphis Minnie: Memphis Minnie, Black Bob, Bill Settles / Memphis Minnie - Joe Louis Strut / He's In The Ring (Doing That Same Old Thing) ‎ (Shellac, 10") Vocalion (2) 03046: US: 1935: Sell This Version A musicians’ life was an escape from endless labor, looked on with both admiration and resentment by the field hands and workers in the audience. Starting in 1929, her records lead us through twenty years of recorded blues and illustrate her life, as she moved from the rural South to urban Chicago. In guitarist Willie Moore’s recollection, (reported in Stephen Calt and Gayle Dean Wardlow’s King of the Delta Blues; The Life and Music of Charlie Patton, 1988 Rock Chapel Press) Minnie was the better guitarist, —“She was a guitar king”—-he said—- although Brown was better known. Clearly she had by that time embraced the next phase of the blues. Minnie settled Memphis in the early ’20s. Memphis Minnie covered Bumble Bee and When the Sun Goes Down - Part 2. Memphis Minnie (born Lizzie Douglas in Algiers, Louisiana, June 3, 1897 – August 6, 1973) was an American blues guitarist, singer, and songwriter from the late 1920s to the 1950s, one of the most influential country blues musicians to have ever recorded. Memphis Minnie recorded over 100 songs, most of which she had written herself. Minnie was quick to embrace the latest technologies in order to be heard above the crowds She was one of the first blues players to use a National in 1929, and to play an electric wood body National and various electric guitars in the ’40s and ’50s.   The commercial success of Mamie Smith’s “Crazy Blues” in 1920, alerted record companies to the existence of black record buyers. Memphis Minnie wrote Hoodoo Lady, When the Levee Breaks and Joliet Bound. Her singing and songwriting, spirited demeanor, and superlative guitar playing propelled her to the upper echelons of a field then dominated by male guitarists and pianists. The companies began to seek out and record other singers in the same vaudevillian genre. Memphis Minnie - Walls. Play Memphis Minnie hit new songs and download Memphis Minnie MP3 songs and music album online on … Memphis Minnie’s music remained popular over two decades because it was lyrically and instrumentally in tune with the lives of Black Americans. She shaped a life very different from the limited possibilities offered to the women of her time. CD : $23 ... MEMPHIS MINNIE › See all 36 albums by Memphis Minnie. Complete Recorded 2 Memphis Minnie & Kansas Joe. Their guitar duets span the spectrum of African-American folk and popular music, including spirituals, comic dialogs, and old-time dance pieces, but Memphis Minnie's best work consisted of deep blues like "Moaning the Blues." Memphis Minnie song lyrics collection. Photo courtesy the Frank Driggs collection. In 1939 she married Ernest “Little Son Joe” Lawlars, a Memphis based guitarist who was her partner for the next 23 years. Although Memphis Minnie is gone, her music is still full of life, and her influence can be heard in the music of the many Chicago blues players who came up during her reign in the thirties and forties. The composer credits for When The Levee Breaks – the closing track on Led Zeppelin’s multi-platinum fourth album (the rune-y one with Stairway To Heaven on) – read, ‘Jimmy Page, Robert Plant, John Paul Jones, John Bonham & Memphis Minnie’. Get all the lyrics to songs by Memphis Minnie and join the Genius community of music scholars to learn the meaning behind the lyrics. As a child, she was called Kid Douglas and she learned how to play the guitar and banjo. We have 1 albums and 28 song lyrics in our database. Perhaps it’s because Memphis Minnie doesn’t fit the myth of the young, tragic, haunted blues man and she is too complex of a character to be easily marketed. loud) sound. She was an African American blues musician and singer. Sometimes a blues musician got paid with an apple or a can of sardines, sometimes she made as much as a hundred dollars. Lizzie Douglas was born on June 3, 1897 in Algiers, Louisiana. Some of Minnie’s best lyrics come from this period, like those in the autobiographical “In My Girlish Days”, (1941)which she played in G in standard tuning. It’s rural party music, with doubling of parts helping punch the sound through in a loud environment in the pre-electric age. Memphis Minnie originally did Soo Cow Soo, Moonshine, Can't Afford to Lose My Man, Pig Meat on the Line and other songs. The official job prospects for black women were limited to domestic service and farm work both of which demanded grueling labor and subservience for low pay. They mixed blues with pop tunes, her favorite cover being “What Makes You Do Me Like You Do Do Do”. 1 the Complete post-war Recordings in Chronological Order. Hoodoo Lady. Music (like most things) was still homemade: for entertainment, people threw parties–suppers where roast shoat, custard pies and candy sticks dipped in corn whiskey got worked off dancing the “shoofly”, the “scratch” and the “shimmy-she-wobble.” Minnie started playing banjo when she was seven years old, and was influenced by the string bands which played for dancers who partied all night and hit the fields at dawn. Minnie worked the streets and parks with Jed Davenport’s Beale Street Jug Band, and her guitar playing was influenced by the popular jug band musician Frank Stokes, who’s guitar duets with Dan Sane are very similar to Minnie’s early style. Memphis Minnie. Her recorded output is not necessarily the same as her live set. Queen Of The Blues. Memphis Minnie (known to her family as “Kid”) was born June 3, 1897, in Algiers Louisiana, the oldest of 13 brothers and sisters. One of Memphis Minnie’s first musical partnerships was with Willie Brown, who is is better known for his association with Charlie Patton. Minnie’s arrival in Chicago precipitated a showdown with the reigning King, Big Bill Broonzy.1. Styles were shifting toward jump blues bands and by the mid ’50s the record industry had changed irrevocably with the fabrication of rock and roll. 04. Minnie and Brown would get aboard and entertain the primarily white pleasure seekers, once debarking at Biggs Arkansas with $119 in tips. Suzy Thompson, who plays blues fiddle and guitar is another current interpreter of Minnie’s songs. Minnie’s fame began to spread northward by word of mouth and records. Her recordings with Son Joe are in duet style, with piano, bass or drums added on some sessions.   In 1933, when Big Bill Broonzy was very popular in Chicago, a blues contest between him and Memphis Minnie took place in a night club. Complete song listing of Memphis Minnie on OLDIES.com. They returned to Memphis where Minnie’s sister Daisy took care of them. After Son Joe’s death in 1962 Minnie lived in a nursing home until she died on August 6,1973, at the age of 76. CD: $32.41 MP3: $9.49. The forties treated Minnie and Son Joe well and they performed both together and separately depending on finances, (they could make more money playing separate gigs). In any case, in 1929 Elizabeth Douglas, professionally known as Memphis Minnie, made her debut on record. 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